Art of lyric phantasmagorium Irini Nefyodovo
The pool of the Ukrainian mystery is to be updated with new names and guises, to represent the most significant trends in creativity, while they are more technical and technologically stricter to share the most polar trends. Proteus, middle of the many people є okremі artists, like to give them the courage to their inner light more, lower reflection over the basic furnishings. The nature of creative creativity is lyrical, straightenings are gliboko in the middle, that can be described as an act of pure aesthetics, harmless to the context.
The image of the artist
The lyric mystery, for its sutility is closer to the meaningful experience, the author of this experience has a great experience in the life of the living, victorious for their representative images, and so are more referential for himself. Before the hour of confusion with such a mystery of the wisdom, the closure of the interpretative completeness, closeness, protec, right, glances to the mother, the field for reinterpretation, the lack of knowledge.
Irina Nefyodova is a professional architector, that’s why she’s educating for some pretty close. Bagato rokon von vliuє svіtov_dchuttya and rosumіnnogo beautiful іnshih in architec tural forms, whеn whісh whісh emotіcіynu sensitiveness vіrіshila to demonstrate a wide zhalі more infect. Vlasne, Mysticia talked about those who, by stretching out their professional occupations, often talked with the little ones, if there were fewer ones there, they could realize their pulls to the metaphoric rethinking of the reality of the most obvious. The nativity, the honor of the artist Irina was more like that of the children, – at the same time, the warehouse warehouse is about 2 thousand. ekzemplyarіv original graphics, bagato with some organically updated author’s poetry.
The “Graphical phantasmagoria” exhibition will, one by one, take into account the personal nature of the artistic creativity and the possibility of ambivalence with the exposition of glances. From one side of Iryna to lay down before that stake quietly, so as to directly reflect the practice of reflexion to myself. It is not indispensable to demonstrate not less than figurative variative activity of robots, but meditative practice of their development. The skin from the completed image of the Mysticia is on the verge of three etapis. In the middle of the great number of watercolor monotypes, you can feel quiet, like at the moment of repeated contact, click on the closest thing to the actual emoticon of the artist’s association. Thus, the transformation of colorful watercolor dances for the lonely lines and the large-scale plot – the whole work is completely independent, the same as the therapeutic effect for the author herself, an extraordinary value for glance. The process for the Nefyodov’s nagadu is passed through the Rorscharch’s test, at the door of one, through the appeal, to the end of the sentence, the one who forces him to remake the specific image from the whole.
From the side, the robot from the inside out, I will experience the experiences of the wicker of the mystery, as I have the author’s self-esteem. The exposition “Graphical phantasmagorias” of Nefyodov focuses on peremptory lyricism – phantasmagoric, asocial images are supplemented by the most powerful artistic works of the artist. The process of approving figuratively-verbal tandem vipadovii and vivazheniye water hours: Irina svіdomo vibudovu poeticheskie parallels to the cutaneous of the graphical images, abi yakomoga to convey the symbol of great creativity. Virshovany stanzi here fiksuyut respect look at the fact that “schot-hot-tell-the-author” that, water time, to update with new mixtures of tiredness on the image. Thus, the exposition is ambiguous in terms of availability for analysis – from one side the author autonomously surrounds us with the most possible means – the abstractness of the watercolor monotypes that are different between them From the very side, the mysticism itself has been filled in on the complete interpretation graphs and the parallel reading possibilities of the expositions.
Young Lviv artist ERA Khelovneba maє namіr declare to themselves satisfied ambitious – її robots did not expose earlier, and with their first crochet, a personal exhibition of 78 robots in an exposition is enormous. Such a namir of reflections is necessary for a dialogue and a glance of Irina, as if there was a privacy statement of his own. All at once, I’m a rizik, an act of generosity of mystics, fragments of a passion for looking at the field of concentration of a special, artistic, artistic vision, wait for the author’s readiness to be interviewed at the simplest stage of creativity.