The Mystery of Pam’yatati. “Kilimi” Nataliya Korf-Ivanyuk
The mystery of Natalia Korf-Ivanyuk from the ear itself was hard to the fruit of the people, see how organically you are, representing the whole artistic structure. So, the new project “Kilimi”, which has 14 weeks exponentially gallery Triptych: GlobalArtsWorkshop, the author is very smartly integrated with the main styles of special folklore, most of them are experienced in their own way.
Kilimarstvo is a kind of skarbnitsa, a unique cultural show, which has now taken away more than one. Ukrainian kilim to their roots in the past, I want to speak first dates to the XVth century, viroblyaty they seemed more like a long time ago. Zberіgayuchi nayyaskravіshі draw the historical epochs, kilim to become the subject of the previous ethnic history, the mentality and the most natural likeness. Because of the health of the Ukrainian Independence, the special significance of nuvuvivivny factors, which can be poured into the preservation of self-esteem through decorative and applied mystery. Remaining your doctor’s utilitarian function, having thrown yourself into an exceptionally aesthetic one, turning into a symbol of national identity, an object of self-recognition for the integration of traditional traditions of material culture.
Idea of the project, dedicated to Kilim, a Mystery’s Vinicle at the Great Residency residence. The first large-scale canvases were born there, as a result they were stored in the 13-part exposition, which was aimed at combining picturesque technology. “For me, kilimi is a goal from our past. I don’t want to get a stony group of articles for zhartіv about the old-fashioned vlasnik, but I’m too ashamed to take a quick look at it. At the time of my childhood, I’ve seen a killer, and I’ve looked at others in love, I rejoice at the light of fantasies, that’s why I wanted to see it for a long time;
At the top of Korf-Ivanyuk’s compositions, one can see the beauty of nature, the historical and cultural past, and re-create mysticism in the philosophical and ethnographic experience. Иї images associated with the ottoman through a show of decorativeness. The enemy of the glibine of rosum by the author of the soul of material. The bosses of the poetic art, in the leather picture, are beautifully witty and ridiculous, with great symbols and collective asociations. Spend time in the gallery of the simple, flock so scho belong to humanity. Кї kilimi not to frighten the “rozpovisti”, but to give the zmogu the “vidchuti”. Composition perfection is literally hostile to the enchanting buoyanny barv. Coloring is either bewitching with gray glibina, then viprominuyut Voloshkova Sinova, and then beat up with quaint fires of quotes.
Independent of the real scale, Korf-Ivanyuk cannot be reckoned with realistically form the texture of kilim, but it’s more than ideal for a vibrating subject. The rhythm, harmony with the color of the house and the image of the whole image. Know from books on national studies, wizards are united at the top, look forward to unique, composition. Acts with representations of kilimіv – it is intentionally old-fashioned, witerty, scho pіdnіmaє theme of memory. On the price, I’ll get round and round reports, show the fragments, like the fragments of the patterns, which I can do with the repeated patterns, the order of the ropes, the kind of composition you have to put together, the main composition is kilim.
The conceptual project is based on the problem of national identity, which is rooted in the metaphysical nutrition of the daily life of people’s boot. Tendencies of globalization standardize the social system, as a result of the reaction – the growth of self-sustainability of the environment. Behind the crisis of identity, lyudina is a vselover nav’yazuє sob_dinuyu model sprynyattya, orinuyutuyuchis on fashion, nvelyuyuchi rіznomanіtty bagatochnostіnі, by which we put a threat to cultural self-esteem. Sounds of the reaction of the author of the memoriality of the uniqueness of their ethnocultural identity, and their presentation of the idea of putting in the anti-universal lack of transparency. On the previous page, the previous quotes are gray, it’s intriguingly є stencil, just repeat the voice of the past with repeaters, sketch it out and don’t call it at all, shut it down to the cookie lists.
There are two visually-plot lines in the exposition: one apelє to technical materials, and one to the stencil of explicit geometries. Geometric ornaments Korf-Ivanyuk, which can be found in most places in Podilli, Galicia, Bukovina and Transcarpathia, – reference to the history of the mystical mystery. Here the artist is in a complete form of the element with an original attitude to her, re-creating them in a unique philosophical message. Figuri varto to make out like an artist ouzagalnennya. The color on such kilims of mysticism is less vibaglivy, and the next bar is inspired by the principle of rest.
The color of the ancient kilims, rose all over Katerynoslav Slavs, Poltavshchyn, Khersonshchins, characterized by the vicarities of natural bars, harmonization of color tones and pivons.